@Percussion - 293 - Working in Film with Aleksandra Šuklar

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Hosts: Ben Charles, Ksenija Komljenović, and Karli Viña

Watch here  Listen below 

00:00 Intro
02:25 History – August 19: Bernstein’s Final Concert at Tanglewood (do you know which score he chose to be buried with?) and Lou Pearlman’s death in prison (producer of N’ Sync and Backstreet Boys)
6:30 Guest introduction: Aleksandra Šuklar
8:18 What’s up, Aleksandra?
9:40 How did you get involved with music in film?
10:55 Advice for folks who want to start working in film
14:55 Getting into the music scene if you do not live in LA 
16:13 Living in LA might not be all it is hyped out to be
17:07 What is Hans Zimmer like?
18:35 What does a remote session look like?
20:53 What all do you have to do to your tracks before delivering?
25:23 What kind of equipment and space are necessary to start out?
28:08 How many takes do you do?
32:39 Talking to producers, directors, composers throughout the process
34:50 Not receiving scores, but midi/other parts to record
36:35 How have you upgraded since you moved your recording activities into your new studio?
40:40 Casey’s mic conspiracy theory
43:31 How does one get paid for international work?
49:16 Can one make a living doing remote sessions?
52:12 IG Question from grin_osipov: Say hello from Grisha Osipov! Ask her how the pandemic changed her percussion routine and gigs.
54:02 IG Questions from kian_soltani_cellist: What’s your favorite film score?